"Double Bassist" articles on early music
| Spring/Summer 1996 | The Dragon's Allure--the lasting legacy of Dragonetti p.42 |
| Autumn/Winter 1996 | About the Music--Franz Simandl's bass legacy p.62 |
| Spring/Summer 1997 | Violone Verismo: historically informed performance p.62 |
| Summer 1998 | Back to Baroque---Approaching Early Music p.60 |
| Winter 1999 | Gut Reaction---the history of strings and string making p.24 |
| Spring 2000 | Back to the Future---the rise of the violone p.27 |
| Summer 2001 | Visual Evidence---the double bass in 16th and 17th century art p.50 |
| Spring 2002 | Journey to Oz--the history of the bass in Australia |
| Summer 2002 | Bass evolution--Joëlle Morton researches the instrument's roots |
| Winter 2003 | Retuning Revival--a new look at Vienese tuning |
| Spring 2004 | Gut instinct--part two of our tutorial on Vienese tuning |
| Summer 2005 | From Past to Future--Silvio Dalla Torre's rediscovered bassetto |
| Spring 2006 | Renaissance Woman--British baroque basssit Chi-chi Nwanoku explains why working with period insturments is so rewarding. |
| For more information or to order back issues of the "Double Bassist" contactdbassist@orpheuspublications.com. | |
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